KYA creative (studio)
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Royal RepubliQ

Every frame of this film is generated with AI.

Royal RepubliQ makes bags, shoes and leather goods. We built the brand a world in Paris and shot its campaign there without a camera: a ride across the city in the morning, a night at the pool table, a drive after dark and the morning after.

Client
Royal RepubliQ
The film
95 seconds
The campaign
A 60, three 30s and three 15s, in 16:9 and 9:16
The world
7 characters, 16 locations, the brand's own pieces
01

The cast.

Cast like a real shoot. Every character went through screen tests, and the lead was recast after the first round. The one who stayed got a sheet that locks his face and his wardrobe, morning to night, so he is the same man in every shot.

Adam, screen test
Mara, screen test
Kim, screen test
Henri, screen test
Adam, round one
Adam, round one
Adam, recast and locked
Adam, recast and locked
Adam, morning
Adam, morning
Mara, street
Mara, street
Mara, dinner
Mara, dinner
Kim
Kim
Marcus
Marcus
Yasmin
Yasmin
02

The locations.

Every place was built empty first, as a plate: his flat, the office with the pool room, the boulevard, the café terrace, the dining room. A plate is a standing set. Every shot in that room is made against it, so the light and the furniture never drift between takes.

The boulevard
The boulevard
His door
His door
His flat
His flat
The pool room
The pool room
The dining room
The dining room
The salon
The salon
The terrace
The terrace
The street
The street
03

The props and the product.

The car, the motorbike and the helmet were designed once, then kept for every scene they appear in. The brand's pieces came to us as product photographs, and each one was matched to its photograph, shot by shot.

The car
The car
The car, inside
The car, inside
The motorbike
The motorbike
The helmet
The helmet
The Derby
The Derby
The Analyst backpack
The Analyst backpack
The Luna
The Luna
The Doric, white
The Doric, white
In the film: the Derby and the Luna, the morning after.
In the film: the Derby and the Luna, the morning after.
04

The camera.

Shots that live or die on a camera move were blocked in 3D first. The previs sets the lens, the move and where everyone stands. The generation follows it.

Previs
Final
05

The campaign.

One film, cut for every placement: a 60, three 30s and three 15s, and the same set again in vertical. They play here without sound. The full film, with sound, is at the top of the page.

60 seconds · Journey
30 seconds · Journey
30 seconds · Day
30 seconds · Night
15 seconds · Journey
15 seconds · Day
15 seconds · Night
Vertical · Journey
Vertical · Day
Vertical · Night

Keep going.