Speed and affordability are features, not compromises.
If you're a fast-moving brand, a startup, or a creative team that needs the film made without the invoice of a physical set, you're exactly who KYA was built for.
Four doors, one house.
The same filmmakers make every film. Pick the door that fits yours.
Rates come on a first call, once we know the film.
How the number is set.
The saving is built into how this works. The money that used to pay for everything around a film, the sets, the trucks, the travel, the waiting, now goes into the film itself. Almost all of it ends up on screen.
There's no public rate card, because the number depends on the film. It moves with runtime and the number of versions, with where and how long the film will run, with exclusive characters built for you alone, and with speed: same-week delivery is possible and is priced as a rush. Locations, cast size, weather, night scenes and travel don't move it at all, because none of them exist here.
You watch the finished film before you approve it, and changes after that are edits, done in days.
The terms, in plain words.
Money early.
Screen Tests are paid upfront. Seasons are paid monthly, in advance. Half of each Commission is paid on signature.
Notes, not reshoots.
A Commission includes two rounds of notes at the look and one at the edit. A note changes something inside the approved film. A new idea is new work, priced before we make it.
Making and using, priced apart.
A production fee, plus a usage licence priced by channel, territory, term and exclusivity. An exclusive character, retired from our library, carries a premium and renews every year.
Speed has a price.
Delivery in half the time is possible on any product, and is priced as a rush.
For a number, send the brief, where it will run, the date, and the budget if you know it. We'll set up a call and share our rates on it. [email protected]
